平摊开来，同学、家长和老师都脱不了干系。
这部剧第一季以受害者袒露的心声，交代的秘密为线索，侧重主观视角。
而叔今天想讲的2012年墨西哥的“冲奥片”却截然相反。
每个场景都是一个固定长镜，没有推拉摇移，没有配乐。
全程用克制到极致的客观视角，使观众依然颇有代入感地看到整起霸凌事件的全貌。
《露西亚之后》
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